MAKING OF FOREST OF BLISS:
INTENTION, CHANCE AND CIRCUMSTANCE IN NON-FICTION FILM
by Robert Gardner and Akos Ostor
Poet Seamus Heaney wrote of the "deep and literate gaze" Robert Gardner transmits "with an intensity that passes from the documentary into the visionary" in his film Forest of Bliss. A decade and a half after its making, it is recognized as a contemporary classic of nonfiction cinema.
Making Forest of Bliss, the first in Harvard Film Archive's series "Voices and Visions in Film," presents a dialogue between Gardner and his colleague, anthropologist Akos Ostor, illustrated with more than 150 images captured from the film. Recalling the conditions of its filming in Benares, India, in 1985, and presenting their moment-by-moment impressions upon watching it several years later, Gardner and Ostor probe questions of what it means to capture life and death on film and ponder how the filmmaker's intentions, choices necessitated by circumstance, and the serendipity of chance contribute to this endeavor. The resulting conversation is a lively exploration of issues philosophical, anthropological, and–above all–artistic. The volume contains an introduction by philosopher Stanley Cavell and includes a newly remastered DVD (2011) of the film.
"Why all this ambiguity and mystery about these things I've called simple elements?" Asks Gardner in the book. "I'm not sure, except that I thought that the audience would not simply wait for the mysteries to be dispelled but would come up with their own solutions, supply their own answers, and so, in that way, they would be doing their own anthropology. I would be content if they merely registered the facts: fires, scales, boys, kites, thermals. I'm confident that they would then, at some level of their imagination, work out their meaning."